|1997-02-17||Amsterdam, Netherlands||21:25||Debut is a masterpiece of improvisation, the centerpiece of a "DwD"->"Carini"->"Taste"->"DwD" suite. A mix of upbeat jamming, raging psychedelic rock, rhythmic stop/starts, quiet space, and more. Absolutely must-hear.|
|1998-12-28||New York, NY||15:58||Multifaceted mind melter. Starts in typical brain-frying, hard-rocking mode, then paints an eerie, outer-space-like soundscape with chilling effects, and finally shifts into a rocking/bluesy groove.|
|2000-06-14||Chuo-ku, Fukuoka, Japan||8:31||Jam begins in customary skull rattling mode, but then breaks into a nice groove laid down by Mike and Fish.|
|2000-09-14||Darien Center, NY||10:21||Liquid metallic space rage.|
|2010-08-10||Telluride, CO||8:36||A very dark version, but one that also gets away from "Carini" proper. A nice funky Mike-led groove breaks first, but then turns chilling, ominous, and spacey, and includes a "One Of These Days" (Pink Floyd) quote from Fish, and an "Echoes" (Pink Floyd) tease from Page. > to "Free."|
|2010-10-12||Broomfield, CO||8:26||Continuing a 3.0 pattern, the jam starts in typical "Carini" mode before breaking into a distinct, upbeat jam, then becoming spacey with a nice > to "David Bowie."|
|2010-10-22||Providence, RI||8:01||-> in from "R&R." The Shapeshifter version. Don't be fooled by the timing, this version is all over the map with improvisation, changing forms multiple times within minutes. -> "My Problem Right There."|
|2011-09-14||Essex Junction, VT||11:04||Starting off in a driving, typically ear-splitting mode, the jam shifts into an upbeat, non-raging sentiment. (Part of this jam sounds somewhat similar to the "A Love Supreme"-like jamming in the 6/3/11 "DwD"). Trey adds some nice soloing, and Page some great effects. Gets spacey with > to "DwD."|
|2011-12-28||New York, NY||9:08||Psychedelic raging at first, with Fish screaming in the background repeatedly. Mode shift into some more serene space with some really nice subtle playing, before a great -> to "Tweezer."|
|2012-06-07||Worcester, MA||11:47||Deploying an array of instruments and effects, including the theremin and bass effects, the band uses these tools to create a lush, densely textured and largely upbeat jam which -> to "Taste."|
|2012-08-31||Commerce City, CO||13:51||Mode shift away from "Carini" at about 6:30 into multi-faceted, rhythmic and increasingly powerful jam.|
|2012-12-30||New York, NY||14:43||Righteous, improvisational version bucks the recent trend of mode-shifting to an upbeat groove, instead sticking to dark and eerie themes that evoke a Pink Floyd-like sentiment. Very exploratory, must-hear material.|
|2013-07-06||Saratoga Springs, NY||12:08||Serious "HOSE"! Jam quickly breaks from the typically dark, throttling form into the now commonly upbeat, major mode style with good modulation of intensity. It then darkens in minor mode, lightens briefly and -> to "Architect."|
|2013-09-01||Commerce City, CO||12:23||A good "Carini" with the now familiar mode shift mid jam. However, the band seems to grapple with where to take the jam from about 6:24 - 9:30, until gaining some good traction and a nice upbeat groove in the final minutes.|
|2013-10-18||Hampton, VA||16:06||Fantastic, multi-section version in which Page is clearly the superstar, on the B-3 and teaming with Mike early, jumping to piano for some melodic "HOSE" with Trey, and downshifting to great funk action with Mike.|
|2013-10-25||Worcester, MA||9:49||Solid jam that retains a dark sentiment throughout, and is also infused with great staccato, funk, and rhythmic playing.|
|2013-10-31||Atlantic City, NJ||18:41||Serious heavyweight version kicks off with rhythmic and swirling playing. The jam brightens for a stretch, then IT builds and builds as the "HOSE" is turned on. Finally the jam recedes delicately as the spigot is turned to "off."|
|2013-12-29||New York, NY||15:16||> in from "DwD" (only the 2nd time ever). A very good exploratory jam that retains a largely dark sentiment throughout, features great playing by Mike and Page, and concludes with brief "Woo" jamming.|
|2014-07-05||Saratoga Springs, NY||10:56||The jam breaks into the now predictable major mode section in a quieter and relaxed manner, which then builds energy and power and -> to "Waves."|
|2014-07-26||Columbia, MD||13:20||Similar to the version from 10/22/10, this "Carini" shifts and changes form again and again and again. Just when they seem to settle on a groove, it's morphed anew.|
|2014-08-30||Commerce City, CO||11:37||The typically dissonant "Type I" jam shifts predictably to upbeat major mode fare, but then moves on to some solid and swinging less intense strumming action.|
|2016-06-25||Chicago, IL||11:12||Makes the familiar major-key pivot mid-jam and from there develops into an uplifting, well-textured groove.|
|2017-07-16||Chicago, IL||20:35||After some typical "Carini" riffing, the jam simmers for a while as a low-key groove unfolds. When Trey becomes more active, the mood brightens and his melodic soloing leads to a peak with some Allman Bros. style licks thrown in along the way. Post-peak there is some pretty Page/Trey interplay and a gradual > to "Twenty Years Later".|
|2017-07-26||New York, NY||16:02||A terrific "Type II" venture with multiple parts woven smoothly together. Inspiring major-key play gets its due early on and is contrasted nicely by a mysterious theme which takes hold in the latter part of the jam. Ends with a -> to "Mr. Completely" initiated by Fish.|
|2017-09-01||Commerce City, CO||21:20||Typically stormy, tense playing gradually mellows to some spacey grooving. Picking up a warmer vibe, the intensity slowly builds to a rocking, but not bliss-filled peak, with strong Mike and Fish. The energy eventually dissipates to percussive transitional space.|
|2018-07-24||San Francisco, CA||14:39||Quickly moves from the song proper into a Mike-driven snappy groove with Trey adding some Echoplex-y color and Fish playing around with the rhythm at times. Switches up on a dime into a energetic "Golden Age"-reminiscent beat, Page adding a calypso vibe and Trey adding sparse but lovely accompaniment, then morphs into triumphant hose. Dies away after a massive peak and > into "Maze".|
|2018-08-03||Alpharetta, GA||20:24||After a stereotypically dark "Carini" jam, a happy groove quickly develops thanks to strong Trey-Mike interplay. An extended passage of very quiet and mellow jamming follows, eventually rising in energy roughly halfway through the jam as Trey goes whale call and Page switches focus to piano. The first intense peak washes over, coursing on the back of Fishman's ride and intense whale call. Three short minutes of peaking wind down to ambient space, only to be propelled straight back up thanks to Mike and Page directing the jam into a new key. A quiet-yet-plinko jam develops as the energy builds on Fish's polyrhythmic snare and cymbal work. Flirting with darkness for some time, the jam eventually yields to murk, grime, and effects-laden darkness before finally winding down to Trey-based loops and Page on the organ.|
|2018-08-31||Commerce City, CO||18:56||A statement jam from Trey who takes the reins and solos extensively en route to a euphoric peak.|
|2019-12-29||New York, NY||13:20||After coursing through typical "Carini" territory, the jam breaks beyond at 7:30 into a pulsing, probing phase with cool effects by Page. The intensity ratchets up, then transitions to lighter, warmer exploration, which mellows and resolves to "BOTT."|
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