, attached to 1997-12-07

Review by Anonymous

(Published in the second edition of The Phish Companion...)

Someone must have told the band it was my fiftieth show; they made sure to keep the setlist fresh and funky! It's hard to imagine becoming jaded with shows like this one around.
Set I: Wow! What a killer set! The "Jesus Just Left Chicago" totally brought the house down, and the "Psycho Killer" was sweet to hear. "My Mind's Got a Mind of Its Own" hasn't been around for a while -  it was the first time I've heard it since `93 I believe. The "Ice" had a few problems but Page was king, and the "Swept/Steep" middle was well placed. The "Theme" included a gorgeous Trey solo. (It sounded to me like he was breathing through the guitar.) Then "Tube"! Whoo! I'd been waiting years to catch this, and then they bust out the funky version for me! The middle of "Tube" featured a cool funkified jam, which they launched back into after having wrapped the song up. (It was more or less an untitled funk instrumental, I guess) Then "Slave"! This totally made up for the Cleveland fiascothis was a momentous "Slave""...and a momentous set.
At setbreak, I told my neighbor, "They can play shorter sets if they are going to be that good!" Once again the band must have been listening.
Set II: "Timber" was nothing special, but the "Wolfman's" -> "Reggae Woman" was phenomenal! Great segue and great tunes! "Boogie On Reggae Woman" is a Stevie Wonder cover. "Reba" and "Guyute" were sweet to hear, although neither version was stellar. "Possum" included a repeated tease of a lick I didn't recognize, and in general was tasty. "A Day in the Life" was a bit of a letdown, I suppose, but even that hasn't been around for a while, and nothing could be a letdown from this fine show. Short but sweet: thirty-five minutes shorter than Cleveland but far more fun! It was especially sweet from the fourteenth row!


Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.

This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.

Credits | Terms Of Use | Legal | DMCA

© 1990-2020  The Mockingbird Foundation, Inc. | Hosted by End Point Corporation