, attached to 2009-06-10

Review by swampthing

swampthing My first show and consequently one of my favorites out of my arsenal because of that. I'm glad I went to this show. Being from New Orleans I regularly get to hear a lot of great music from funk to jazz, rap, and bluegrass, and for being able to grow up around that I wouldn't trade for the world. Unfortunately, Phish never really comes around (unless maybe to Atlanta/Alpharetta or the Carolinas. With this first chance to see Phish I couldnt tell you how excited I was.
The drive in was great with some friends and it was definitely a hot summers day. We spent those 9 hours watching the Clifford Ball DvD and enjoying the nice hot day. That dvd for some reason had runawayjim stapled on repeat in my mind until we got in the show for the opener....
Runaway Jim

The hood was trademark 3.0 trey with whale calls (I don't dislike that new pedal or whatever it is... I actually am happy that I got to see this new style he's messing with in the 2009 tour.)
But yea, the first set was almost a show in it's own.
To get started off w/ Runaway Jim was just like a BLAST OFF but then PYitE was kinda like a, bring it back go one, restarting of the show all over again. I really dug it.
Then to Ocelot which was the first time I had ever heard it and the 3rd time they played live... I think this song is a great tune that represents the new album and even era very well. Not only in style but lyric-ly and symbolically of where the band (and specifically Trey) is/was at that moment in time.
(honestly I think it has a lot to do with sobriety "You prance with the beasts that parade every night. And silently slouch through the forest twilight.
Don’t be the only one left on the block. Come hide in the heard and float with the flock" that seems really 12-step like and also kinda like... yo dude, let's all get our head out of our asses unless we wanna be alone "on the block" thus becoming lonely opiate or w/e addicts.)
Anyways.. that song stuck out for me, being the first time I heard it. It automatically made me think of Trey's sobriety.
Foam was good. Never loved it but it was a great groove and excellent version.
Love Train Song, never thought I would get that my first show. Undermind.. meh
Mike's Groove - so happy to hear that as well on my first show, and at this point it was all surreal... I wasn't tripping or anything but singing runaway jim as I was walking up the ramp from it being stuck in my head, then hearing a mike's>hydro>groove, I was just in awe.
Coil... excellent, my buddy that was at the show w/ me loves coil and I was sure that was marking the end of the set... nope Character Zero. and they rocked the house with this one as well.

Second set started with Back on the Train which was also very appropriate... Waves into A Song I Heard the Ocean Sing was good but the David Bowie was mo'bettah. Army of One was good too... Page nailed it, Trey's wailing whale calls fit in with it pretty well. Reba (hell yes), Hello My Baby.... I absolutely love when they barber shop it. dank.
I was worried next was encore.. WRONG Julius (ok we're done right?) Wrong. CAVERN (rockin!) done? NOPE
HARRY HOOD! My favorite phish song and this version was 3.0 all the way. I love this song so much and was so happy to hear a version like this. I love NYE 93 and Jazz Fest 96 and a ton of other 94-98 versions and a million and a half more.. but this was my first live and I was so happy to hear (what I thought) was a very original, new style, version.
Then some keytar'd Frankenstein... they rocked my socks off

Great first show... I was hooked.
PS I have an extra superball ix VIP pass... msg me if you need/want one.

Thanks for reading this mess of a written review.
(would I download this show? yes.
which songs would I download for sure... Runaway, Ocelot, Train Song Mike's Groove, COil, Back on the train, A Song I Heard the ocean sing (though it's not my favorite song) D Bowie, Julius, Cavern, HARRY HOOD, Frankenstein.


Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.

This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.

Credits | Terms Of Use | Legal | DMCA

© 1990-2020  The Mockingbird Foundation, Inc. | Hosted by End Point Corporation